| Last Name |
First Name |
Title |
Medium |
Image Vertical |
Image Horizontal |
Depth |
| Allen |
Jere |
Water Series |
Oil |
22 3/4 |
17 |
|
| Alps |
Glen |
untitled |
Collagraph |
22 1/4 |
27 3/4 |
|
| Altman |
Harold |
October |
Lithograph A/P |
26 1/2 |
18 3/4 |
|
| Altman |
Harold |
Park with Seven Figures |
Etching A/P |
11 3/4 |
19 3/8 |
|
| Altman |
Harold |
Path II |
Etching / Aquatint 112/140 |
15 3/4 |
17 3/4 |
|
| Antreasian |
Garo |
untitled |
Lithograph 14/20 |
26 1/2 |
38 |
|
| Antreasian |
Garo |
untitled |
Lithograph A/P |
24 7/8 |
24 7/8 |
|
| Antreasian |
Garo |
untitled |
Lithograph Trial/Proof |
22 5/8 |
35 |
|
| Baron |
Jerry |
At the Humboldt Club, North Bend |
Acrylic |
15 1/2 |
19 1/2 |
|
| Baron |
Jerry |
Home the Hunter |
Acrylic |
15 1/4 |
24 1/2 |
|
| Baron |
Jerry |
Virginia Inn, Seattle |
Acrylic |
39 1/2 |
29 1/2 |
|
| Beling |
Helen |
Ascent |
Belplast |
32 |
28 1/4 |
5 5/8 |
| Beling |
Helen |
Business is Bad |
Resin |
20 5/8 |
8 5/8 |
9 1/2 |
| Beling |
Helen |
St. Francis with Bird |
Bronze |
8 3/4 |
3 1/2 |
1 1/2 |
| Bennett |
Eugene |
untitled |
Collage, tin, nails, sand, oil, walnut shells |
10 1/2 |
11 7/8 |
|
| Bennett |
Eugene |
untitled |
Collage, tin, nails, tacks, sand, oil |
11 |
14 |
|
| Berthot |
Jake |
untitled |
Acrylic |
44 |
40 |
|
| Black |
Wendell |
Dead Sea Gull |
Engraving 22/25 |
23 1/4 |
13 3/8 |
|
| Black |
Wendell |
Mountainscape |
Engraving 21/25 |
19 1/2 |
26 3/4 |
|
| Boyden |
Frank |
Meteor |
Bronze & silver |
8 1/2 |
16 1/2 |
13 |
| Boyden |
Frank |
untitled |
Stoneware |
24 |
24 |
2 |
| Bronson |
Bonnie |
Blue Enamel |
Enameled steel |
42 1/2 |
36 1/8 |
|
| Brown |
James |
Endo 2 |
Oil |
11 1/2 |
15 1/2 |
|
| Brown |
James |
Stampede |
Oil |
11 1/2 |
15 1/2 |
|
| Brown |
James |
The Weird Train |
Oil |
17 1/2 |
23 1/2 |
|
| Buckner |
Hal |
Bronze Woman |
Bronze |
34 1/2 |
14 3/4 |
7 3/4 |
| Buckner |
Hal |
untitled |
Oil |
25 5/8 |
70 |
|
| Burford |
James |
Solo |
Oil / Collage |
47 1/2 |
35 5/8 |
|
| Casarella |
Edmond |
Climax |
Woodcut A/P |
20 1/4 |
18 |
|
| Casarella |
Edmond |
Haven |
Woodcut A/P |
28 |
19 1/2 |
|
| Casarella |
Edmond |
Swamp Bank |
Paper cut, relief print 15/24 |
25 3/4 |
34 |
|
| Casey |
John |
Orbis |
Vacuum-formed uvex |
11 1/2 |
11 1/4 |
4 3/4 |
| Cassara |
Frank |
Terreno II |
Etching 6/35 |
17 3/4 |
23 5/8 |
|
| Chambers |
Susan |
Looking for a Break |
Photography |
6 3/4 |
10 1/4 |
|
| Chandler |
Elaine |
Time Machine |
Serigraph/Embossing 4/15 |
17 1/2 |
13 |
|
| Charette |
Phillip |
Moonlight Spirit |
Mixed media (ceramic, glass, wood, feathers) |
39 |
32 |
14 |
| Clarke |
Mark |
Rocks No. 8 |
Collage |
14 1/2 |
19 1/2 |
|
| Coe |
Margaret |
Rocks & Leaves No.2 |
Oil |
24 1/2 |
18 1/2 |
|
| Colburn |
Jon |
The Playground |
Gouache |
21 |
29 |
|
| Colescott |
Warrington |
George Washington Meets Betsy Ross, but Too Late |
Etching 10/75 |
22 1/4 |
18 3/4 |
|
| Colescott |
Warrington |
Secretary Seward Buys Alaska |
Etching 12/75 |
17 |
22 3/4 |
|
| Colescott |
Warrington |
William Randolph Hearst Declares War on Spain |
Etching 5/75 |
22 3/4 |
17 |
|
| Comerford |
Susan |
River Collage |
Etching / Collage 2/6 |
34 1/4 |
23 3/4 |
|
| Cookson |
Jayne |
A La Plage II |
Linoleum block print/reduction 10/14 |
17 1/2 |
23 1/4 |
|
| Corum |
Quinn |
Earth Forms : Night Hush |
Fiber |
32 |
44 |
|
| Cox |
Pauline |
Chinese Waves |
Watercolor |
19 3/4 |
28 |
|
| Cruson |
Jon |
Pacific Tapestry (Hy-as Salt Chuck portfolio) |
Lithograph 15/25 |
9 1/2 |
12 1/2 |
|
| Cruson |
Jon |
Nye Beach (Hy-as Salt Chuck portfolio) |
Lithograph 15/25 |
9 1/2 |
12 1/2 |
|
| Cruson |
Jon |
Arch Rock (Hy-as Salt Chuck portfolio) |
Lithograph 15/25 |
9 1/2 |
12 1/2 |
|
| Davison |
Phil |
Spring |
Watercolor |
26 |
20 |
|
| Deshaies |
Arthur |
USA, The American Country |
Engraving / Drypoint 10/50 imp |
22 5/8 |
35 1/4 |
|
| Detton |
Shelley |
La Esperanza |
Monoprint |
34 |
12 |
|
| Donaldson |
Julia |
Sir Winston Churchill Narcisses |
Fiber |
17 |
15 1/2 |
|
| Edmondson |
Leonard |
Flower Power |
Etching 32/75 |
17 3/8 |
21 1/2 |
|
| Edmunds |
Charles |
From Land to Sea |
Watercolor |
18 1/2 |
31 1/2 |
|
| Edmunds |
Charles |
New Wheel, New Paint |
Watercolor |
18 1/2 |
24 1/2 |
|
| Edmunds |
Charles |
The Charleston Bridge |
Oil |
23 3/4 |
35 1/2 |
|
| Edmunds |
Charles |
Merchants Beach |
Watercolor |
14 |
21 1/4 |
|
| Edmunds |
Charles |
The Boatyard |
Watercolor |
13 1/2 |
22 |
|
| Erl |
Janet Tarjan |
Filleting the Catch |
Watercolor/Gouache |
16 1/2 |
23 3/4 |
|
| Falke |
Terry |
Standing Rock, Navajo Reservation, Northern Arizona, 1999 |
Photography (film) |
17 3/4 |
22 1/4 |
|
| Falke |
Terry |
untitled |
Photography (film) |
13 1/2 |
10 1/2 |
|
| Falkenstein |
Claire |
Moving Point #1 |
Ink drawing |
22 |
29 1/2 |
|
| Falkenstein |
Claire |
Organic Form – Bones |
Drawing, marker |
8 |
9 |
|
| Falkenstein |
Claire |
untitled |
Cast paper |
25 1/2 |
24 1/2 |
|
| Farmer |
Tom |
Afternoon |
Monotype |
14 |
20 1/2 |
|
| Farmer |
Tom |
untitled |
Mixed media |
18 |
29 |
|
| Farmer |
Tom |
untitled |
Monotype |
13 |
20 3/8 |
|
| Fricano |
Tom |
Geographic Specimens |
Etching / Embossing 2/10 |
19 7/8 |
17 |
|
| Fricano |
Tom |
O-2 Bird |
Etching / Embossing A/P |
20 5/8 |
20 5/8 |
|
| Fricano |
Tom |
Osterreich |
Etching / Embossing A/P 3/4 |
19 3/4 |
16 3/4 |
|
| Gardner |
Byron |
Black Land Wave |
Pastel |
17 |
34 |
|
| Gardner |
Byron |
Red Mesa, Blue Field |
Oil |
51 1/8 |
43 1/2 |
|
| Gardner |
Byron |
untitled |
Watercolor |
21 5/8 |
15 |
|
| Geisert |
Mitch |
Mary Wilson Triptych (right panel) |
Acrylic |
54 1/8 |
43 1/2 |
|
| Geisert |
Mitch |
Mary Wilson Triptych (center panel) |
Acrylic |
53 3/4 |
97 1/4 |
|
| Geisert |
Mitch |
Mary Wilson Triptych (left panel) |
Acrylic |
53 7/8 |
65 1/2 |
|
| Geisert |
Mitch |
The Old Jester (Le Vieux Plaisant) |
Acrylic |
69 3/8 |
28 1/8 |
|
| Gilkey |
Gordon |
Fractured Earth |
Collagraph / Etching / Embossing A/P imp |
14 1/2 |
19 |
|
| Goldsby |
Al |
Landscape |
Etching 3/4 |
6 |
34 |
|
| Gould |
Norman |
Familular Morgenstense |
Etching A/P |
17 5/8 |
21 3/4 |
|
| Gould |
Norman |
Human Myriad |
Oil |
52 1/2 |
66 |
|
| Grooms |
Red |
Mango, Mango |
Serigraph 198/250 |
39 3/4 |
28 1/4 |
|
| Guyot |
Tom |
Bork |
Graphite drawing |
11 |
8 |
|
| Hackman |
Vida |
Landscape Interval I |
Etching A/P |
23 1/2 |
30 1/4 |
|
| Hall |
Carl |
Raven |
Watercolor/Gouache |
11 1/2 |
10 |
|
| Hall |
Carl |
Shaman’s Bones |
Watercolor/Gouache |
35 5/8 |
36 3/8 |
|
| Hall |
Howard |
Boiler Bay |
Oil |
48 1/4 |
60 |
|
| Hall |
Howard |
Rogue River Canyon |
Oil |
31 3/4 |
35 3/4 |
|
| Hansen |
Art |
The Tavern |
Etching (3 in one frame) |
8 7/8 |
8 7/8 |
|
| Hansen |
Art |
A Private Club |
Etching (3 in one frame) |
10 |
9 5/8 |
|
| Hansen |
Art |
The Stripper |
Etching (3 in one frame) |
8 7/8 |
8 7/8 |
|
| Hardy |
Tom |
Coos Bay Dredging Equipment |
Watercolor |
18 1/2 |
26 1/4 |
|
| Hardy |
Tom |
Foothills |
Etching A/P |
8 |
17 3/4 |
|
| Hardy |
Tom |
Sea Piece |
Welded bronze |
39 1/4 |
59 1/4 |
5 7/8 |
| Hardy |
Tom |
Torso |
Watercolor |
29 5/8 |
19 5/8 |
|
| Hardy |
Tom |
Horses |
Welded bronze |
33 1/2 |
80 |
28 |
| Haseltine |
Maury |
Undertow #2 |
Oil |
33 1/2 |
47 5/8 |
|
| Hawthorne |
Chris |
untitled |
Glass |
14 3/4 |
16 |
8 |
| Hayter |
Stanley |
Survol |
Lithograph 128/150 |
25 |
17 5/8 |
|
| Hedges |
Mary |
untitled |
Raku |
12 |
9 1/2 |
9 1/2 |
| Henderson |
Jack |
Rising |
Oil |
41 1/2 |
49 3/8 |
|
| Hill |
Steven R. |
All Tied-Up, Bermeo, Spain |
Pastel |
17 1/2 |
23 1/2 |
|
| Hnizdovsky |
Jacques |
Beech Tree |
Woodcut 60/100 |
14 1/2 |
19 1/2 |
|
| Holbert |
Merrie |
Mama’s Comfrey Bed |
Watercolor |
14 |
20 |
|
| Holm |
Mike |
Canary |
Photography |
10 1/4 |
13 1/4 |
|
| Holm |
Mike |
Sexy Rock |
Photography |
11 1/8 |
15 1/4 |
|
| Holm |
Mike |
Soft Drive |
Photography |
10 5/8 |
14 7/8 |
|
| Izquierdo |
Manuel |
Anvil Flowers |
Conté crayon |
37 |
23 3/4 |
|
| Izquierdo |
Manuel |
Caryatid |
Terra cotta |
8 |
3 3/4 |
2 1/4 |
| Izquierdo |
Manuel |
Flower Figure |
Welded steel |
26 1/2 |
12 |
7 1/2 |
| Izquierdo |
Manuel |
Flower with Torso |
Mixed media |
18 1/2 |
23 1/4 |
|
| Izquierdo |
Manuel |
Four of Spades |
Welded steel |
17 1/2 |
15 1/2 |
14 3/4 |
| Izquierdo |
Manuel |
Temple |
Terra cotta |
11 |
6 1/8 |
6 1/8 |
| Izquierdo |
Manuel |
Windmill Flower |
Sumi ink |
18 1/4 |
22 3/4 |
|
| Izquierdo |
Manuel |
Woman #40 |
Mixed media |
28 1/4 |
21 3/4 |
|
| Jenkins |
Ed |
Whaling Bark, Alice Knowles |
Drypoint |
6 |
3 3/4 |
|
| Jenkins |
Ed |
Unbending Mains’l |
Drypoint |
4 1/8 |
6 1/8 |
|
| Jenkins |
Ed |
Port O’Call |
Drypoint |
5 |
4 |
|
| Johanson |
George |
Juxtapositions – Sky Grid |
Etching / Embossing 1/30 |
19 1/4 |
15 3/4 |
|
| Johanson |
George |
Juxtapositions – Egg |
Etching / Embossing 1/30 |
19 1/4 |
15 3/4 |
|
| Johanson |
George |
Juxtapositions – Landscapes |
Etching / Embossing 1/30 |
21 1/4 |
15 3/4 |
|
| Johanson |
George |
Juxtapositions – Targets |
Etching / Embossing 1/30 |
20 |
15 3/4 |
|
| Johanson |
George |
Juxtapositions – Apple & Curtain |
Etching / Embossing 1/30 |
15 3/4 |
18 1/4 |
|
| Johanson |
George |
Juxtapositions – Black Bat |
Etching/ Embossing 1/30 |
19 5/8 |
15 7/8 |
|
| Johanson |
George |
Juxtapositions – Green Pepper |
Etching / Embossing 1/30 |
20 1/8 |
15 3/4 |
|
| Johanson |
George |
Juxtapositions – Torsos and Orchid |
Etching / Embossing 1/30 |
15 3/4 |
19 1/4 |
|
| Johanson |
George |
Juxtapositions – Wall |
Etching/ Embossing 1/30 |
15 3/4 |
19 1/4 |
|
| Johanson |
George |
Juxtapositions – Four Figures |
Etching / Embossing 1/30 |
16 |
19 7/8 |
|
| Johnston |
Ann |
Clouds |
Fiber |
22 7/8 |
21 |
|
| Jones |
John |
Annunciation |
Etching A/P |
27 1/2 |
21 3/4 |
|
| Jones |
John |
Girl for Goya |
Lithograph 4/20 |
30 1/8 |
22 1/4 |
|
| Kadar |
Kevin |
Figure #595 |
Oil |
6 7/8 |
7 7/8 |
|
| Kadar |
Kevin |
untitled |
Oil |
9 1/8 |
6 1/4 |
|
| Kaplan |
Jerome |
Mr. Becker |
Etching Ed. 40 |
16 3/4 |
13 3/4 |
|
| Kaplan |
Jerome |
Reve Rite |
Lithograph 42/45 |
18 |
23 1/2 |
|
| Kaplan |
Jerome |
Station |
Lithograph 31/35 |
16 3/4 |
19 |
|
| Karl |
Maggie |
Autumn Colors/Eighth Hole |
Oil |
31 1/2 |
39 5/8 |
|
| Karl |
Maggie |
Coos Head Burner |
Oil |
27 1/2 |
31 3/8 |
|
| Karl |
Maggie |
Reflections |
Collage |
32 |
48 |
|
| Karl |
Maggie |
View of North Bend |
Oil |
35 |
35 |
|
| Kelly |
Lee |
Toward River in Two Parts (study for the sculpture) |
Watercolor |
15 1/2 |
12 1/4 |
|
| Kelly |
Lee |
Broken River (study for the sculpture) |
Watercolor |
16 |
14 |
|
| Kelly |
Lee |
Broken River |
Cor-Ten steel |
3′ 5″ |
4′ 8″ |
5′ 1″ |
| Kensler |
Barbara |
Prismatic Window |
Fiber |
32 |
31 |
|
| King |
Tony |
Groups |
Acrylic |
60 |
72 1/8 |
|
| Knudsen |
Thomas |
The Spaniard |
Wood & leather |
22 |
15 5/8 |
26 |
| Kobrin |
Lowell |
Waiter-Café Du Monde |
Photography |
20 3/4 |
9 7/8 |
|
| Kohn |
Misch |
Long Beaked Bird |
Lithograph A/P |
27 1/2 |
19 1/4 |
|
| Kohn |
Misch |
The General |
Etching/ Chine collé 50 imp 2nd state |
17 3/8 |
9 |
|
| Kohn |
Misch |
Trio |
Wood engraving 30 imp |
23 |
15 3/4 |
|
| Koltz |
Adam |
Schooner Juventa, 1865 + chart |
Watercolor |
30 1/2 |
26 1/2 |
|
| Konopka |
Joseph |
Route 523 |
Acrylic |
42 1/4 |
44 1/4 |
|
| Konopka |
Joseph |
Train Station |
Acrylic |
49 |
44 1/8 |
|
| La Duke |
Betty |
Chinese Winter Landscape (1) |
Acrylic |
33 3/4 |
22 |
|
| La Duke |
Betty |
Chinese Winter Landscape (2) |
Acrylic |
36 |
28 |
|
| La Duke |
Betty |
Chinese Winter Landscape (3) |
Acrylic |
36 |
28 |
|
| La Duke |
Betty |
Chinese Winter Landscape (4) |
Acrylic |
36 |
28 |
|
| La Duke |
Betty |
Chinese Winter Landscape (5) |
Acrylic |
33 3/4 |
22 |
|
| La Duke |
Betty |
Memories of the Bitter Past |
Acrylic |
62 |
54 1/4 |
|
| La Duke |
Betty |
Peking Bicycle Riders |
Acrylic |
62 |
54 1/4 |
|
| La Duke |
Betty |
Political Discussion |
Mixed media |
33 3/4 |
22 |
|
| La Duke |
Betty |
Spirits Old and New |
Acrylic |
68 |
54 |
|
| La Duke |
Betty |
The Foolish Old Man Who Removed the Mountains |
Etching 4/25 |
17 |
16 |
|
| La Duke |
Betty |
Oregon Coast |
Acrylic |
50 3/8 |
58 |
|
| La Duke |
Betty |
Pursuit |
Woodcut 2/6 |
26 3/8 |
47 5/8 |
|
| Laird |
Jan |
Decadence is Marriage: Bob |
Oil |
37 1/4 |
48 1/4 |
|
| Laird |
Jan |
Greatness Takes So Long: Larry |
Oil |
43 1/2 |
35 5/8 |
|
| Laird |
Jan |
Shannon |
Oil |
45 3/4 |
30 3/4 |
|
| Laird |
Jan |
Space Child: Billy |
Oil |
36 1/8 |
25 3/4 |
|
| Laird |
Jan |
untitled |
Pastel |
24 1/2 |
18 1/4 |
|
| Landau |
Jacob |
Behold, I Will Send You Elijah |
Lithograph A/P X1V |
22 3/8 |
30 3/8 |
|
| Landau |
Jacob |
I, John Brown |
Lithograph 2nd state 46/50 |
33 1/4 |
24 |
|
| Landeck |
Armin |
Black House, Bleeker Street |
Engraving |
23 3/4 |
18 |
|
| Landeck |
Armin |
Fish |
Engraving |
18 |
23 5/8 |
|
| Landeck |
Armin |
Rooftop & Skylights |
Engraving |
18 |
20 3/4 |
|
| Lasker |
Joe |
Cezanne Observed |
Oil |
29 3/8 |
39 1/2 |
|
| Law |
Margaret |
Mountain Stream |
Watercolor |
27 |
19 |
|
| Liepe |
Madeleine |
Edge of the Park |
Oil |
34 |
49 1/4 |
|
| Loehr |
Joellyn |
East of Here |
Oil |
53 7/8 |
41 3/4 |
|
| Lott |
Jimi |
untitled |
Photography |
17 1/4 |
11 |
|
| Lybecker |
Kirk |
A Return to the Real World |
Watercolor |
25 1/2 |
40 1/4 |
|
| Lybecker |
Kirk |
A Rose of High Romance |
Watercolor |
41 1/4 |
53 |
|
| Lybecker |
Kirk |
Chain Link Madness |
Watercolor |
29 1/2 |
21 3/4 |
|
| Lybecker |
Kirk |
Even Damnation Poisoned by Rainbow |
Watercolor |
38 |
42 3/4 |
|
| Lybecker |
Kirk |
T-Bird |
Watercolor |
42 1/4 |
34 1/8 |
|
| Lybecker |
Kirk |
Shoes of Osimandius (sic) |
Watercolor |
20 5/8 |
28 1/4 |
|
| Martin |
Gan |
Afternoon at the Beach |
Oil-base enamel |
25 1/2 |
38 1/2 |
|
| Massey Jr. |
Charles |
Skyhook Start, Progression |
Lithograph 28/50 |
8 3/4 |
20 1/4 |
|
| Massey Jr. |
Charles |
Yesterday’s Holder, Holding |
Lithograph A/P |
21 3/4 |
14 3/8 |
|
| Matoush |
Lyle |
Frostbite |
Etching/ Embossing/ Chine collé 17/18 |
17 1/4 |
9 7/8 |
|
| Matoush |
Lyle |
Quicksilver |
Lithograph/ Embossing/ Chine collé 20/26 |
25 3/8 |
17 3/4 |
|
| Mattingly |
James |
Old Man Print |
Woodcut A/P |
12 3/4 |
8 1/8 |
|
| McCosh |
David |
Goat |
Oil |
35 3/4 |
39 3/4 |
|
| McCosh |
David |
Maguey |
Watercolor |
14 |
21 1/4 |
|
| McCosh |
David |
untitled |
Watercolor |
14 |
21 |
|
| McVicker |
J. |
Blue Ambiance |
Etching 18/30 |
11 3/4 |
16 1/4 |
|
| McVicker |
J. |
Dark Structure |
Etching / Aquatint 38/40 |
14 3/4 |
9 7/8 |
|
| McVicker |
J. |
Orange Accent |
Etching 11/15 |
10 3/4 |
15 3/4 |
|
| Meeker |
Dean |
Joseph |
Etching18/60 |
23 7/8 |
17 1/4 |
|
| Meeker |
Dean |
Lisa |
Etching 57/60 |
32 1/4 |
19 3/4 |
|
| Meeker |
Dean |
Phaeton and the Horses of the Sun |
Etching 17/60 |
21 3/4 |
29 3/4 |
|
| Morrison |
Ivan |
untitled |
Oil |
60 |
47 3/4 |
|
| Morrison |
Ivan |
untitled |
Oil |
60 |
47 3/4 |
|
| Morrow |
Ceci |
Daghestan Prayer Rug |
Acrylic |
47 |
23 1/4 |
|
| Mostert |
Christiaan (Dutch) |
Frayed and Forgotten |
Watercolor |
16 3/4 |
23 3/4 |
|
| Munro |
Alan |
Heat |
Watercolor |
22 1/4 |
30 1/4 |
|
| Myers |
Malcom |
Knight, Death and the Devil |
Etching 10/25 |
23 5/8 |
29 3/4 |
|
| Osgood |
Kim |
A Passing Moment |
Monotype / Chine colle´ |
23 7/8 |
17 7/8 |
|
| Ottum |
Phil |
Long Tom River |
Photography (film) |
9 1/4 |
7 1/2 |
|
| Padgett |
Walt |
Red Fuji |
Woodblock print |
17 1/2 |
23 3/4 |
|
| Pander |
Henk |
Great Market of Haarlem |
Oil |
53 3/4 |
63 3/4 |
|
| Pander |
Henk |
The Sinking of the New Carissa |
Oil |
47 1/4 |
54 1/4 |
|
| Parker |
Lucinda |
Abex Valley Green |
Acrylic |
25 1/4 |
25 1/4 |
|
| Paul |
Ken |
Mountain Imposition |
Acrylic |
36 1/8 |
23 5/8 |
|
| Paulin |
Richard |
Sag Harbor Supper |
Woodcut 1/10 |
20 1/8 |
18 1/4 |
|
| Peterdi |
Gabor |
Gulls in the Wind |
Drypoint 11/25 imp |
19 1/2 |
23 1/2 |
|
| Peterdi |
Gabor |
Lanikai Reef V |
Etching 3/50 imp |
17 3/4 |
24 |
|
| Peterdi |
Gabor |
Red Red Eclipse |
Etching A/P 1 |
17 1/4 |
23 1/2 |
|
| Peterdi |
Gabor |
Red Reef |
Etching 2/30 imp |
19 3/8 |
23 1/2 |
|
| Peterdi |
Gabor |
Thicket |
Etching A/P III |
11 5/8 |
17 5/8 |
|
| Peterdi |
Gabor |
Winter II |
Etching imp |
17 |
23 5/8 |
|
| Plotkin |
Linda |
Green Morning |
Lithograph 68/175 |
26 3/4 |
19 1/4 |
|
| Plotkin |
Linda |
One Morning |
Etching / Aquatint 45/100 |
23 3/4 |
19 1/2 |
|
| Pozzi |
Craig |
Coos Bay, Oregon |
Photography (film) |
9 |
13 1/4 |
|
| Purdy |
Douglas |
Duo |
Bronze 1/25 |
18 |
9 3/ 4 |
7 |
| Purdy |
Douglas |
Goat |
Bronze 8/10 |
11 1/4 |
12 |
5 |
| Redwood |
Clayton |
Cosmic Event |
Mixed media |
29 1/2 |
39 1/2 |
|
| Richmond |
Rebekah |
The Long Sleep |
Etching 13/120 |
5 1/2 |
11 7/8 |
|
| Riese |
Beatrice |
Six from Bolivia |
Oil |
54 |
46 1/ 8 |
|
| Rios |
Diego |
Hired to Fire as Soon as Possible! |
Woodcut A/P |
24 |
48 |
|
| Rivers |
Larry |
Living at the Movies |
Lithograph/Serigraph 75/175 |
21 1/4 |
26 1/4 |
|
| Robertson |
Ward |
Lower Bay |
Photography (film) 1/80 |
7 3/8 |
9 1/2 |
|
| Robertson |
Ward |
untitled |
Photography (film) |
11 1/2 |
7 1/2 |
|
| Rock |
John |
Charities |
Lithograph 7/10 |
27 3/8 |
18 1/4 |
|
| Rock |
John |
Yaquina Lighthouse (Hy-as Salt Chuck portfolio) |
Lithograph 15/25 |
9 1/2 |
11 3/4 |
|
| Rock |
John |
Tidal Pools (Hy-as Salt Chuck portfolio) |
Lithograph 15/25 |
9 1/4 |
12 |
|
| Rock |
John |
Beach Cabin (Hy-as Salt Chuck portfolio) |
Lithograph 15/25 |
9 3/4 |
12 1/2 |
|
| Rolichek |
Mitch |
untitled |
Wood carving |
29 3/4 |
52 1/2 |
21 1/2 |
| Romano |
Clare |
New Jersey Landscape II |
Collagraph A/P |
23 1/4 |
24 1/4 |
|
| Romano |
Clare |
On the Grass |
Collagraph A/P |
10 1/8 |
30 3/8 |
|
| Rosa |
Lilly |
The Maestro Leonardo |
Etching 4/5 |
9 7/8 |
7 3/4 |
|
| Ross |
John |
Till the Morning Comes |
Collagraph 24/75 |
17 |
34 1/4 |
|
| Ross |
John |
Wharf |
Collagraph 16/50 |
13 1/2 |
25 1/4 |
|
| Rouzie |
A. William |
Orion |
Watercolor |
20 1/2 |
28 1/4 |
|
| Rouzie |
A. William |
Yaquina at Charleston |
Watercolor |
20 5/8 |
28 1/4 |
|
| Rudisill |
Susan |
Narrows View |
Charcoal drawing |
17 1/4 |
13 5/8 |
|
| Rudisill |
Susan |
Road Cut: Rape of the Innocent |
4 Charcoal drawings in one frame |
9 1/2 |
8 1/4 |
|
| Rudisill |
Susan |
Susan Creek Falls |
Mixed media |
22 1/4 |
16 1/2 |
|
| Ryan |
Charles |
untitled |
Oil |
29 |
34 3/4 |
|
| Saltzman |
Florence |
Bleached Beach Bones |
Oil |
26 1/4 |
40 3/4 |
|
| Saltzman |
Florence |
Sunset Red, Countryside |
Acrylic |
19 |
25 |
|
| Sandgren |
Erik |
Maelstrom |
Woodcut A/P |
11 1/2 |
14 |
|
| Sandgren |
Erik |
Misty Fjord:Southeast Alaska by Boat |
Acrylic |
23 3/8 |
17 3/8 |
|
| Sandgren |
Erik |
Raven Primordial |
Linocut A/imp |
14 |
10 7/8 |
|
| Sandgren |
Erik |
Tahoma : Mountain Mythos |
Acrylic |
22 |
28 |
|
| Sandgren |
Erik |
Yaquina: Wind-Blown Light |
Watercolor |
14 3/8 |
21 1/2 |
|
| Sandgren |
Nelson |
Beach Genre |
Lithograph 20/60 |
19 1/2 |
37 7/8 |
|
| Sandgren |
Nelson |
Dark Summer Sea |
Watercolor |
21 3/4 |
29 |
|
| Sandgren |
Nelson |
Fireweed |
Oil |
35 |
47 1/4 |
|
| Sandgren |
Nelson |
Rocks at Bandon |
Watercolor |
21 1/2 |
29 |
|
| Sandgren |
Nelson |
untitled |
Gouache |
14 |
10 1/2 |
|
| Sandgren |
Nelson |
Wafted Fog |
Lithograph 9/10 |
22 |
24 3/4 |
|
| Saylor |
Grant |
The “Rocky” at La Push,WA |
Watercolor |
9 1/4 |
12 1/2 |
|
| Schenck |
William |
Wyoming Plus VI (Gregory Peck on a Horse) |
Acrylic |
67 1/2 |
47 1/2 |
|
| Schneuer |
David |
Afternoon Meeting |
Serigraph A/P 17/30 |
10 5/8 |
8 3/4 |
|
| Schneuer |
David |
untitled |
Drypoint 29/150 |
9 5/8 |
7 3/4 |
|
| Schneuer |
David |
untitled |
Etching / Drypoint 10/150 |
7 3/4 |
8 3/4 |
|
| Schneuer |
David |
untitled |
Etching 20/150 |
8 1/4 |
7 3/4 |
|
| Schneuer |
David |
Waltz |
Serigraph 288/300 |
11 |
8 |
|
| Seder |
Sylvia |
King, Queen & Blue Eyed Dog |
Mixed media |
10 |
13 3/4 |
|
| Sennick |
Lou |
Halibut Fisherman |
Photography |
9 |
13 1/2 |
|
| Sheehan |
Evelyn |
A Leisurely Model |
Collage / Mixed media |
12 |
17 3/4 |
|
| Sheehan |
Evelyn |
Widow and the Empty Chair |
Acrylic |
25 3/4 |
34 1/4 |
|
| Shuck |
Vicki |
Bicicletas |
Linoleum block print 4/20 |
9 |
11 7/8 |
|
| Shuck |
Vicki |
Drinkie-Drinkie |
Linoleum block print 4/20 |
9 |
11 7/8 |
|
| Smith |
Moishe |
Almonds of Andalusia |
Etching 38/50 |
17 1/2 |
24 7/8 |
|
| Smith |
Moishe |
Po Valley |
Etching 26/50 |
16 1/2 |
23 1/2 |
|
| Smith |
Moishe |
Roman Holiday |
Etching 8/60 |
19 1/4 |
25 3/8 |
|
| Snyder |
Amanda |
Baby Robin |
Woodcut 4/30 |
11 1/4 |
8 3/4 |
|
| Snyder |
Amanda |
Blue Bird |
Collage |
17 1/2 |
23 1/2 |
|
| Snyder |
Amanda |
Poppy–Friend from Bangkok |
Oil |
12 3/4 |
9 3/4 |
|
| Snyder |
Amanda |
Shakespearean Forest |
Oil / Collage |
21 1/4 |
26 1/4 |
|
| Snyder |
Amanda |
Sunflower Hula Girl |
Oil |
44 3/4 |
20 3/4 |
|
| Snyder |
Amanda |
Two Clowns |
Collage |
14 3/4 |
9 1/2 |
|
| Snyder |
Pat |
Ace & Queen of Spades |
Engraving 15/100 |
7 3/8 |
6 |
|
| Snyder |
Pat |
American Indian Series l |
Serigraph 1/10 |
8 |
12 1/2 |
|
| Snyder |
Pat |
American Indian Series ll |
Serigraph 10/15 |
20 |
15 |
|
| Snyder |
Pat |
American Indian Series lll |
Serigraph 14/ 25 |
21 7/8 |
16 3/8 |
|
| Snyder |
Ruth |
Mendocino (Malibu Series #6) |
Watercolor |
29 1/4 |
41 3/4 |
|
| Sperakis |
Nicholas |
The Viceroy |
Woodcut 5/40 |
5 1/2 |
3 3/8 |
|
| Sprague |
Don |
untitled |
Porcelain |
20 1/4 |
20 1/4 |
7 |
| Stark |
Larry |
Ditch Lake |
Serigraph 15/99 |
8 3/4 |
13 3/8 |
|
| Stark |
Larry |
West Branch Log |
Serigraph 18/99 |
8 3/4 |
13 3/8 |
|
| Stasik |
Andrew |
Still Life / Landscape #5 |
Lithograph 41/130 |
24 7/8 |
20 |
|
| Stasik |
Andrew |
Summer Landscape II |
Lithograph / Serigraph A/P V |
25 1/8 |
15 5/8 |
|
| Stasik |
Andrew |
Summer XXXVI |
Lithograph/Serigraph 9/31 |
30 |
22 1/4 |
|
| Steele |
Jeanne |
Crimson Twilight |
Oil |
15 1/2 |
19 1/2 |
|
| Steensma |
Jay |
Portrait of M. Hickey |
Ink drawing |
4 3/4 |
3 |
|
| Steensma |
Jay |
untitled |
Drawing |
10 1/4 |
8 1/4 |
|
| Stone |
Gwen |
Tale of Genji VII |
Collage / Embossing |
8 3/4 |
10 1/2 |
|
| Stone |
Gwen |
Toys on Burnt Umber |
Serigraph, hand tipped 18/50 |
11 |
13 |
|
| Stone |
Peter |
Incision |
Terra cotta |
14 1/8 |
12 |
2 |
| Stone |
Peter |
Night Rip |
Stoneware |
15 1/2 |
18 |
4 1/2 |
| Sugiyama |
Wataru |
Peace and Strength |
Terra cotta |
11 |
10 1/2 |
4 3/4 |
| Summers |
Carol |
Navarro Ridge |
Woodcut, multi-colored rubbing 75/75 |
48 5/8 |
36 3/4 |
|
| Talbot |
Jonathan |
Cape Arago Soundings |
Collage |
5 |
5 |
|
| Talbot |
Jonathan |
Coos Bay Patrin |
Collage |
4 3/4 |
5 |
|
| Tift |
Mary |
Alphabet Plate |
Etching 36/50 |
14 1/2 |
13 3/4 |
|
| Tift |
Mary |
Gum Ball Machine |
Etching 39/50 |
16 1/8 |
9 1/2 |
|
| Turner |
Janet |
Roots and Ducks |
Serigraph / Linoleum block print 52/185 imp |
11 5/8 |
34 3/8 |
|
| Turner |
Janet |
Sycamore Snag II |
Serigraph / Linoleum block print 27/90 imp |
35 |
11 5/8 |
|
| Turner |
Janet |
Wintering Snow Geese |
Serigraph / Linoleum block print 68/175 imp |
14 3/4 |
34 3/4 |
|
| Van Allen |
Katrina |
Harbor Dreaming |
Oil |
35 7/8 |
51 7/8 |
|
| Van Allen |
Katrina |
Winter Jetty (left panel) |
Oil |
48 |
60 |
|
| Van Allen |
Katrina |
Winter Jetty (right panel) |
Oil |
48 |
35 5/8 |
|
| Van Dreal |
John |
Moon-lit Nude Seated in Tranquil Impersonation |
Oil |
35 5/8 |
23 1/2 |
|
| Vaughan |
Dorothy |
Seal Rock |
Watercolor |
20 3/4 |
27 3/4 |
|
| Volkerding |
Laura |
Log Dump and Sawmill, Isthmus Slough, Coos Bay |
Photography (film) |
3 5/8 |
9 3/8 |
|
| Volkerding |
Laura |
untitled |
Photography (film) |
7 1/2 |
9 1/2 |
|
| Walker |
Kenneth |
Breakfast, Introspection |
Photography (film) |
13 |
10 |
|
| Ward |
Lynd |
Cup of Sky |
Wood engraving |
20 |
11 7/8 |
|
| Ward |
Lynd |
Evening Walk |
Wood engraving |
7 |
14 7/8 |
|
| Ward |
Lynd |
Flower Girl |
Wood engraving |
7 1/4 |
13 |
|
| Webb |
Joseph |
Stone Mama |
Limestone |
23 |
12 |
12 |
| Wehrle |
Clare |
Study of a Young Man |
Oil |
34 1/4 |
27 1/4 |
|
| Wehrle |
Clare |
Tracy |
Oil |
27 1/4 |
15 3/8 |
|
| Williames |
Shedrich |
Shedrich & Daughter CoCó |
Photography (film) |
9 1/4 |
71/4 |
|
| Williames |
Shedrich |
untitled |
Photography (film) |
9 3/8 |
7 3/8 |
|
| Zach |
Jan |
Folded Form #1 |
Stainless steel |
36 |
11 3/4 |
7 3/4 |
| Ziemann |
Richard |
Black-eyed Susans |
Etching 35/100 |
29 1/2 |
39 1/8 |
|
| Ziemann |
Richard |
Morning Light |
Etching 35/100 |
28 1/8 |
39 1/4 |
|
| Ziemann |
Richard |
Rocky Landscape |
Etching 27/100 |
21 1/4 |
35 3/8 |
|
| Zuniga |
Francisco |
Yucateca con Fruta |
Lithograph 201/300 |
22 1/2 |
15 1/8 |
|